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- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
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Category Archives: Sources
Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
7 Comments
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
Anton Webern: Now also “in blue”!
We are always welcoming new composers to our Henle catalogue. … Continue reading
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?
Today, a brief but we hope all the more valuable … Continue reading
A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?
Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading
Confusion about ties in Chopin’s Scherzo in b minor
That Chopin variants can be exasperating to an editor – … Continue reading
Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi
Among the just about one hundred compositions that the violin … Continue reading
The “parallel passage” – handle with care…
If the ideal goal of a critical Urtext edition may … Continue reading
Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading
Tagged Grieg, Peer Gynt suite, variants
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