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An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext

Posted on June 8, 2026 by Dominik Rahmer

Just a few days ago we marked the 200th anniversary … Continue reading →

Posted in autograph, bassoon, copy, first edition, Monday Postings, new source, Weber, Carl Maria von | Tagged bassoon concerto, New Source, Weber | Leave a comment

“My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2

Posted on February 9, 2026 by Peter Jost

The Weimar years as of 1848 marked a profound turning … Continue reading →

Posted in autograph, engraver’s copy, Liszt, Franz, Monday Postings, new source, piano + orchestra, revision, variant reading | Tagged Liszt, New Source, piano concerto, revisionsource | Leave a comment

Editions also have their histories. The revision of César Franck’s violin sonata

Posted on November 28, 2016 by Peter Jost

The question of why from time to time editions in … Continue reading →

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged Articualtion, César Franck, New Source | Leave a comment
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  • Recent Posts

    • An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
    • Fanny Hensel’s Lieder on the Rise
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    • “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
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