Category Archives: Urtext

Editions also have their histories. The revision of César Franck’s violin sonata

Posted on November 28, 2016 by Peter Jost

The question of why from time to time editions in … Continue reading →

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged , , | Leave a comment

Johann Jacob Froberger on his 400th birthday

Posted on November 14, 2016 by Norbert Müllemann

Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading →

Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo

Posted on October 31, 2016 by Dominik Rahmer

Tchaikovsky and the violin – surely everyone first thinks here … Continue reading →

Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext | Tagged , | 1 Comment

Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

Posted on October 17, 2016 by Annette Oppermann

To the question of how many cello concertos Joseph Haydn … Continue reading →

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | 7 Comments

Anton Webern: Now also “in blue”!

Posted on July 25, 2016 by Norbert Müllemann

We are always welcoming new composers to our Henle catalogue. … Continue reading →

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment

A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?

Posted on June 13, 2016 by Wolf-Dieter Seiffert

Today, a brief but we hope all the more valuable … Continue reading →

Posted in first edition, Monday Postings, Reger, Max, Three Suites op. 131c for Violoncello solo (Reger), Urtext, violoncello | 2 Comments

Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi

Posted on March 7, 2016 by Peter Jost

Among the just about one hundred compositions that the violin … Continue reading →

Posted in 5. Violin Concerto in a minor op. 37 (Vieuxtemps), autograph, Monday Postings, piano + violin, sketches, Urtext, Vieuxtemps, Henry, violin + orchestra, Ysaÿe, Eugène | Tagged , | Leave a comment

From zero to a hundred in seven years: Beethoven’s wind chamber music at Henle publishers

Posted on December 7, 2015 by Annette Oppermann

The fact that the winds first found their way into … Continue reading →

Posted in Beethoven, Ludwig van, clarinet, Flute Duo WoO 26 (Beethoven), G. Henle Publishers, horn, Marsch WoO 29 (Beethoven), Monday Postings, oboe, Quintet E flat major op. 16 (Beethoven), Sextet op. 81b (Beethoven), Three Duos WoO 27 for Clarinet and Bassoon (Beethoven), Three Equali for four Trombones WoO 30 (Beethoven), Urtext, winds | Tagged , | 1 Comment

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

Urtext and Urcontext

Posted on September 14, 2015 by Annette Oppermann

In our blog we have certainly already discussed the Urtext … Continue reading →

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | 1 Comment