Category Archives: Piano Sonata (Beethoven)

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2

Posted on September 18, 2017 by Norbert Gertsch

In the first part of my blog on the famous … Continue reading →

Posted in Beethoven, Ludwig van, genesis, Monday Postings, piano solo, Piano Sonata op. 7 (Beethoven), Piano Sonata op. 90 (Beethoven) | Tagged , , | Leave a comment

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas

Posted on June 5, 2017 by Norbert Gertsch

It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Composers, first edition, Monday Postings, piano solo, Piano Sonata op. 106 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven) | Tagged , , | Leave a comment

Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas

Posted on May 11, 2015 by Norbert Gertsch

Here’s a topic that pianists have been discussing since the … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range | Tagged , , , | 21 Comments

Listeners are also only human

Posted on March 31, 2014 by Wolf-Dieter Seiffert

Observations on the necessity of body language in piano playing … Continue reading →

Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge | Tagged , , , , , , , | Leave a comment

‘Come sopra’ – clearly ambiguous!

Posted on March 4, 2013 by Norbert Gertsch

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Hit and miss? – A purportedly wrong note in Beethoven’s Sonata op. 14 no. 2

Posted on June 25, 2012 by Norbert Gertsch

For almost ten years now I’ve been working with Murray … Continue reading →

Posted in Beethoven, Ludwig van, first edition, Monday Postings, piano solo, Piano Sonata op. 14 nr. 2 (Beethoven), variant reading | Tagged , , | 4 Comments