Search
Subscribe2
-
Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Tag Archives: accent
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
2 Comments
Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
Leave a comment