Tag Archives: Beethoven

Beethoven anniversary in the Henle blog

Posted on November 25, 2019 by Norbert Gertsch

As we were celebrating our 200th blog post two weeks … Continue reading →

Posted in Beethoven, Ludwig van, Monday Postings | Tagged , | 1 Comment

Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Posted on December 11, 2017 by Norbert Gertsch

Editing a Beethoven work solely on the basis of a … Continue reading →

Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2

Posted on September 18, 2017 by Norbert Gertsch

In the first part of my blog on the famous … Continue reading →

Posted in Beethoven, Ludwig van, genesis, Monday Postings, piano solo, Piano Sonata op. 7 (Beethoven), Piano Sonata op. 90 (Beethoven) | Tagged , , | Leave a comment

“The future lion is already showing its paws” – The revision of Beethoven’s piano variations, volume 1

Posted on June 19, 2017 by Peter Jost

G. Henle publishing house is well known for putting its … Continue reading →

Posted in Beethoven, Ludwig van, Monday Postings, piano solo, revision, Variations WoO 63 (Beethoven), Variations WoO 65 (Beethoven) | Tagged , , | Leave a comment

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas

Posted on June 5, 2017 by Norbert Gertsch

It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Composers, first edition, Monday Postings, piano solo, Piano Sonata op. 106 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven) | Tagged , , | Leave a comment

Gidon Kremer on the occasion of his 70th birthday

Posted on May 8, 2017 by Norbert Müllemann

As early as September 2015 Dr Wolf-Dieter Seiffert, CEO of … Continue reading →

Posted in Beethoven, Ludwig van | Tagged , , | 1 Comment

“At the Piano” – lends colour to the Henle catalogue!

Posted on April 24, 2017 by Dominik Rahmer

Even the visual design is a little revolution for Henle: … Continue reading →

Posted in Monday Postings | Tagged , , , , , , , , , , , , , | 4 Comments

Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas

Posted on May 11, 2015 by Norbert Gertsch

Here’s a topic that pianists have been discussing since the … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range | Tagged , , , | 21 Comments

Beethoven’s “Unfinished” (compositions)

Posted on February 2, 2015 by Norbert Gertsch

Ludwig van Beethoven is one of those composers among the … Continue reading →

Posted in Beethoven, Ludwig van, Duo Unv 8 (Beethoven), Duo with two obbliagato eye glasses WoO 32 (Beethoven), Monday Postings, sketches, viola + violoncello, violin + violoncello | Tagged , , | Leave a comment

Read the end first!

Posted on November 10, 2014 by Annette Oppermann

Come on now, fess up! Haven’t you sometimes thumbed through … Continue reading →

Posted in Beethoven, Ludwig van, G. Henle Publishers, Monday Postings | Tagged , , , | Leave a comment