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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Tag Archives: Dvorak
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading
“Smfz” – On some unconventional dynamic markings in our Urtext editions
Dynamics are in a way the salt in the musical … Continue reading
Posted in Monday Postings
Tagged Berg, Brahms, Carl Nielsen, Crusell, Dvorak, dynamics, Rachmaninoff, Zemlinsky
1 Comment
Who does the pedalling? On the use of the pedal in music for piano duets
Nowadays we automatically associate music for piano duet with the … Continue reading
Posted in autograph, first edition, Monday Postings, notation
Tagged Dvorak, notation, pedalling, piano for 4 hands
7 Comments