Category Archives: Composers

Urtext from A to Z! What you’ll want to know about our new edition of Alexander Zemlinsky’s Clarinet Trio op. 3

Posted on January 16, 2017 by Dominik Rahmer

With our freshly released Urtext edition of the stunning “Brahmsian” … Continue reading →

Posted in first edition, Monday Postings, Trio for Piano, Clarinet and Violoncello op. 3 (Zemlinsky), Zemlinsky, Alexander | Tagged , , , | 1 Comment

Christmas Blog

Posted on December 24, 2016 by publisher

It is not only the Christmas season that comes around … Continue reading →

Posted in Liszt, Franz, Monday Postings, Wagner, Richard | Tagged | 1 Comment

Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann

Posted on December 12, 2016 by Wolf-Dieter Seiffert

A little birthday gift for András Schiff (December 2016) Coloured … Continue reading →

Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert | Tagged , , | Leave a comment

Editions also have their histories. The revision of César Franck’s violin sonata

Posted on November 28, 2016 by Peter Jost

The question of why from time to time editions in … Continue reading →

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged , , | Leave a comment

Johann Jacob Froberger on his 400th birthday

Posted on November 14, 2016 by Norbert Müllemann

Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading →

Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo

Posted on October 31, 2016 by Dominik Rahmer

Tchaikovsky and the violin – surely everyone first thinks here … Continue reading →

Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext | Tagged , | 1 Comment

Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

Posted on October 17, 2016 by Annette Oppermann

To the question of how many cello concertos Joseph Haydn … Continue reading →

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | 7 Comments

The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590

Posted on September 19, 2016 by Wolf-Dieter Seiffert

Mozart connoisseurs and admirers know of course about what is … Continue reading →

Posted in articulation, F-major string quartet K. 590, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , , , | 2 Comments

Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto

Posted on September 5, 2016 by Peter Jost

As editors we are occasionally confronted with questions that at … Continue reading →

Posted in autograph, measure numbering, Monday Postings, piano + orchestra, Piano Concerto op. 22 (Saint-Saëns), Saint-Saëns, Camille | Tagged , , , | Leave a comment

Anton Webern: Now also “in blue”!

Posted on July 25, 2016 by Norbert Müllemann

We are always welcoming new composers to our Henle catalogue. … Continue reading →

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment