Category Archives: Composers

G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2

Posted on September 13, 2021 by Wolf-Dieter Seiffert

Franz Schubert‘s piano music is almost an infinitely magical wonderland. … Continue reading →

Posted in harmonics, piano solo, Schubert, Franz, variant reading | Tagged , | 3 Comments

Bach-Busoni – a successful Henle series with sequels

Posted on July 19, 2021 by Norbert Müllemann

Another Bach-Busoni edition recently came on the music market as … Continue reading →

Posted in arrangement, Bach, Johann Sebastian, Busoni, Ferruccio, Toccata D minor BWV 565 | Tagged , | 1 Comment

How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux

Posted on July 5, 2021 by Peter Jost

When a composer decides against publishing one of his works … Continue reading →

Posted in Monday Postings, Saint-Saëns, Camille, Urtext | Tagged | 1 Comment

The agony of choice – lieder by Richard Strauss

Posted on June 21, 2021 by Annette Oppermann

Incredible, but true: unannounced so far in this blog is … Continue reading →

Posted in Monday Postings, piano + voice, Strauss, Richard | Tagged | Leave a comment

“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44

Posted on June 7, 2021 by Dominik Rahmer

Even though recently the focus of attention owing to their … Continue reading →

Posted in autograph, Dvořák, Antonín, first edition, Instrumentation, Monday Postings, Wind Serenade op. 44 (Dvořák) | Tagged , , | 2 Comments

Schubert’s Wanderer Fantasy and the challenges of an Urtext edition

Posted on May 24, 2021 by Norbert Gertsch

In the already more than 70 years since the founding … Continue reading →

Posted in Claudius Tanski, Monday Postings, piano solo, Schubert, Franz, Wanderer Fantasy in C major op. 15 (Schubert) | 1 Comment

Attempt at re-dating Mozart’s three popular “Quartet-Divertimenti”, K. 136–138

Posted on May 10, 2021 by Wolf-Dieter Seiffert

In conjunction with my Urtextausgabe of the well-known and much-played … Continue reading →

Posted in Mozart, Wolfgang Amadeus, string quartet | Tagged | Leave a comment

Bach’s harpsichord concertos and their autograph

Posted on April 26, 2021 by Norbert Müllemann

If you’re looking for a simple answer to the question … Continue reading →

Posted in Bach, Johann Sebastian, genesis, piano + orchestra | Tagged , | 3 Comments

The Bartók Complete Edition and its offspring

Posted on March 29, 2021 by Annette Oppermann

Since one of the special features of the Henle Verlag … Continue reading →

Posted in Bartók, Béla | Tagged , | Leave a comment

‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81

Posted on March 15, 2021 by Dominik Rahmer

The piano quintet is, so to speak, in the “super … Continue reading →

Posted in autograph, Dvořák, Antonín, first edition, Monday Postings, new source, Piano Quintet op. 81 (Dvořák), rhythm, sketches, tempo, variant reading | Tagged , , , , | Leave a comment