Category Archives: Ravel, Maurice

A wonderful little devilry to start with

Posted on December 9, 2024 by Andreas Pernpeintner

When you’re new to an enterprise, it’s very agreeable when … Continue reading →

Posted in autograph, Fingering, first edition, Monday Postings, notation, piano solo, Ravel, Maurice, variant reading | Tagged , , , , , | Leave a comment

Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major

Posted on January 8, 2024 by Peter Jost

At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading →

Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext | Tagged , , , , | Leave a comment

France sets the tone – new Urtext editions in the “blue jersey”

Posted on July 11, 2016 by Dominik Rahmer

It isn’t only with the European Football Championship 2016 that … Continue reading →

Posted in articulation, Chausson, Ernest, Fauré, Gabriel, horn, Monday Postings, Morceau de Concert op. 94 (Saint-Saëns), piano + horn, Ravel, Maurice, Saint-Saëns, Camille, variant reading | Tagged , , , , | Leave a comment

At what tempo does Ravel’s Pavane “die”?

Posted on August 31, 2015 by publisher

During my assistantship this past year as Henlean, I was … Continue reading →

Posted in first edition, Monday Postings, Pavane (Ravel), piano solo, Ravel, Maurice, tempo | Tagged , , | 1 Comment

D or C♯? What does Ravel want the violinist to play in “Tzigane”?

Posted on February 3, 2014 by Peter Jost

Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading →

Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading | Tagged , , , , , | 2 Comments

Curiosity pays off. The genesis of Maurice Ravel’s piano ‘Sonatine’

Posted on March 19, 2012 by Peter Jost

In 2011 when I began preparing a new edition of … Continue reading →

Posted in genesis, Monday Postings, piano solo, Piano Sonatina (Ravel), Ravel, Maurice | Tagged , , , , | 1 Comment