Search
Subscribe2
-
Recent Posts
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré fingering first edition genesis Haydn horn Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Category Archives: Instrumentation
Better late than never: Leoš Janáček at Henle publishers
It is always a special moment whenever a new name … Continue reading
Sensational new source: a previously unknown Carnivalssong by Beethoven!
The new series PianoPlus is an ideal entry and re-access … Continue reading
Beethoven’s “Unfinished” (compositions)
Ludwig van Beethoven is one of those composers among the … Continue reading
Scarlatti Sonatas, Volume IV – the ultimate choice
Though Domenico Scarlatti (1685–1757) was indeed born the same year … Continue reading
“You can count on me” – Debussy’s arrangement of “Minstrels” for violin and piano
Arrangements have on occasion already come up for discussion in … Continue reading
“It’s all so wonderful!” On the new edition of Mozart’s string quartets
A few weeks ago I began editorial work on a … Continue reading
Spohr and Crusell join the club – new Urtext editions for clarinet
Musicians have long known that not only pianists and string … Continue reading
The year of the flute – special new editions in the Henle catalogue
For some time past the G. Henle publishing house has … Continue reading
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
3 Comments