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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Instrumentation
‘Fontana’s version’ – genuine Chopin?
A glance at the table of contents in our Urtext … Continue reading
Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin)
Tagged Chopin, Fontana, versions
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Hit and miss? – A purportedly wrong note in Beethoven’s Sonata op. 14 no. 2
For almost ten years now I’ve been working with Murray … Continue reading
Going down, coming up or on the up and up? – stumbling block in Erik Satie’s ‘2ème Gymnopédie’
At first sight Urtext editions of Satie’s piano music do … Continue reading
Posted in autograph, first edition, Gymnopédie (Satie), Monday Postings, piano solo, Satie, Erik, Urtext
Tagged correction, Gymnopédie, Satie
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Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”
In summer 1915 in the solitude of Pourville, the small … Continue reading
Posted in Debussy, Claude, Douze Études (Debussy), Monday Postings, piano solo, Urtext
Tagged Chopin, Couperin, Debussy, Études, fingering, piano, Rameau
2 Comments
How to drive the devil out of a waltz or: Liszt’s Mephisto Waltz for everybody?
It’s still ringing in your ears, this warhorse for orchestra … Continue reading
Posted in arrangement, Liszt, Franz, Mephisto Waltz (Liszt), Monday Postings, piano solo, versions
Tagged arrangements, Liszt, Mephisto Waltz, Meyendorff, versions
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On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I
Those in the know among our readers will be aware … Continue reading
The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition
It is probably well enough known that in the G. … Continue reading
Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches
Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch
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Curiosity pays off. The genesis of Maurice Ravel’s piano ‘Sonatine’
In 2011 when I began preparing a new edition of … Continue reading
Posted in genesis, Monday Postings, piano solo, Piano Sonatina (Ravel), Ravel, Maurice
Tagged Calvocoressi, competition, genesis, Ravel, Sonatina
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How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457
Very vividly I recall the Mozart sensation of the year … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading
Tagged facsimile, Mozart, piano sonata, variants
4 Comments