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- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
- “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
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Category Archives: Instrumentation
Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?
Notice: There’s a prize question at the end of this … Continue reading
Posted in Monday Postings, notation, piano trio
Tagged Beethoven, Haydn, Mozart, parts, Piano Trio, score
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Too much access! – Isaac Albéniz revises his Iberia cycle
Editors of sheet music are not alone in suffering from … Continue reading
Posted in Albéniz, Isaac, autograph, first edition, Iberia (Albéniz), Monday Postings, piano solo, reprint, revision
Tagged Albéniz, first edition, Iberia, reprint, revision
3 Comments
Scriabin plays Scriabin – Is the finale of the 3rd piano sonata too difficult?
Alexander Scriabin (1872–1915) was not only one of the outstanding … Continue reading
Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17
What you can see here is the last page of … Continue reading
‘Play it again’ – is a repeat sign missing in Brahms’ Paganini Variations?
Some time ago we received an interesting query from a … Continue reading
Posted in autograph, Brahms, Johannes, first edition, Monday Postings, notation, Paganini Variations op. 35 (Brahms), piano solo
Tagged Brahms, notation, Paganini, piano, repeat, variation
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“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff
You know the Lorelei? You know that from the high … Continue reading
‘Fontana’s version’ – genuine Chopin?
A glance at the table of contents in our Urtext … Continue reading
Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin)
Tagged Chopin, Fontana, versions
9 Comments
Hit and miss? – A purportedly wrong note in Beethoven’s Sonata op. 14 no. 2
For almost ten years now I’ve been working with Murray … Continue reading
Going down, coming up or on the up and up? – stumbling block in Erik Satie’s ‘2ème Gymnopédie’
At first sight Urtext editions of Satie’s piano music do … Continue reading
Posted in autograph, first edition, Gymnopédie (Satie), Monday Postings, piano solo, Satie, Erik, Urtext
Tagged correction, Gymnopédie, Satie
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Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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