Category Archives: Instrumentation

How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?

Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading

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So, how much bass do you want? Beethoven’s Sextet Op. 81b

Wouldn’t you wonder, too, if you saw a sextet on … Continue reading

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“La dernière pensée musicale de Chopin” – a Sham?

Mystery swirls around Chopin’s Mazurka in f minor, op. post. … Continue reading

Posted in Chopin, Frédéric, Mazurka op. post. 68 nr. 4 (Chopin), Monday Postings, piano solo, sketches, versions | Tagged , , , , , | 2 Comments

Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.

Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading

Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister) | Tagged , , , | 2 Comments

Missing bass octave in Debussy’s Prélude “Ce qu’a vu le vent d’ouest”?

Whether the Pope is infallible is anybody’s guess, but composers … Continue reading

Posted in autograph, Debussy, Claude, first edition, Monday Postings, piano solo, Préludes (Debussy), reprint, variant reading | Tagged , , | 1 Comment

Alta Viola – Twice is better

Descriptions of musical instruments in older musical prints and manuscripts … Continue reading

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How does Chopin’s Second Ballade end?

Many pianists are familiar with the problem that there are … Continue reading

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Beethoven, Für Elise WoO 59 – Do you strike the right note?

d or e – that is the question … when … Continue reading

Posted in autograph, Beethoven, Ludwig van, first edition, Monday Postings, Piano Piece WoO 59 Für Elise (Beethoven), piano solo, sketches | Tagged , | 17 Comments