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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Instrumentation
An annoying mini-error in Mozart’s Violin Concerto K. 219
Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra
Tagged Mozart, revision, Violin Concerto
4 Comments
From the First to the Second Vienna School: 20th-century string quartets in the Henle catalogue
Henle is dedicating 2022 to a specific genre: under the … Continue reading
Alexander Scriabin (1872-1915) on his 150th birthday, part II
As announced in my last blog post, the collected volume … Continue reading
Four parts, many questions: on the editing of string quartets
Well-disposed visitors to our various digital platforms already know that … Continue reading
“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
4 Comments
A concerto for a “trombone god” – finally, Ferdinand David’s Concertino op. 4 in Henle Urtext
The trombone is an instrument with a venerable though also … Continue reading
Posted in David, Ferdinand, Monday Postings, trombone + orchestra
Tagged Concertino op. 4, trombone
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Schumann’s metronome markings in his “Kinderszenen”. Opportunity, not nuisance.
“You cannot define tempo. Tempo has no existence of its … Continue reading
Posted in Monday Postings, piano solo, Schumann, Robert, tempo
Tagged Kinderszenen op. 15
3 Comments
An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?
The question posed in the title of my blog post … Continue reading
Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin
Tagged Chanson de matin, Chanson de nuit
1 Comment
Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
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