Category Archives: piano solo

Correction or interpretation? – Johannes and Clara alter Robert’s music

Posted on May 27, 2013 by Peter Jost

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading →

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment

Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825

Posted on May 13, 2013 by Wolf-Dieter Seiffert

A short time ago our attention was drawn to a … Continue reading →

Posted in András Schiff, Bach, Johann Sebastian, Claudio Arrau, Monday Postings, Partita BWV 825 (J.S. Bach), piano solo, variant reading | Tagged , | Leave a comment

Attention to small details: Elgar’s notation as expression

Posted on April 15, 2013 by guest

Preparing a new edition of a work that has been … Continue reading →

Posted in autograph, Elgar, Edward, Monday Postings, notation, piano + violin, piano + violoncello, piano solo, Salut d'amour op. 12 (Elgar) | Tagged , | Leave a comment

Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?

Posted on March 18, 2013 by Dominik Rahmer

The current Wagner year is also not going unnoticed at … Continue reading →

Posted in first edition, G. Henle Publishers, Isoldens Liebestod from "Tristan und Isolde" (Wagner/Liszt), Liszt, Franz, Monday Postings, piano solo, transcription, Wagner, Richard | Tagged , , , , , | 1 Comment

‘Come sopra’ – clearly ambiguous!

Posted on March 4, 2013 by Norbert Gertsch

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Brahms’s ‘Hungarian Dances’ – new finds in old sources

Posted on January 21, 2013 by Dominik Rahmer

In 2011 the Brahms researcher Michael Struck made a striking … Continue reading →

Posted in articulation, Brahms, Johannes, Hungarian Dances (Brahms), Monday Postings, notation, piano solo | Tagged , , , | Leave a comment

Too much access! – Isaac Albéniz revises his Iberia cycle

Posted on October 1, 2012 by Norbert Gertsch

Editors of sheet music are not alone in suffering from … Continue reading →

Posted in Albéniz, Isaac, autograph, first edition, Iberia (Albéniz), Monday Postings, piano solo, reprint, revision | Tagged , , , , | 3 Comments

Scriabin plays Scriabin – Is the finale of the 3rd piano sonata too difficult?

Posted on September 17, 2012 by Norbert Müllemann

Alexander Scriabin (1872–1915) was not only one of the outstanding … Continue reading →

Posted in Monday Postings, piano solo, Piano Sonata Nr. 3 op. 23 (Scriabin), Scriabin, Alexander | Tagged , , | 8 Comments

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

Posted on August 20, 2012 by Wolf-Dieter Seiffert

What you can see here is the last page of … Continue reading →

Posted in autograph, Fantasy op. 17 (Schumann), Monday Postings, piano solo, Schumann, Robert, variant reading | Tagged , , | 7 Comments

‘Play it again’ – is a repeat sign missing in Brahms’ Paganini Variations?

Posted on August 6, 2012 by Dominik Rahmer

Some time ago we received an interesting query from a … Continue reading →

Posted in autograph, Brahms, Johannes, first edition, Monday Postings, notation, Paganini Variations op. 35 (Brahms), piano solo | Tagged , , , , , | Leave a comment