Category Archives: Monday Postings

At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo

Tchaikovsky and the violin – surely everyone first thinks here … Continue reading

Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext | Tagged , | 1 Comment

Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

To the question of how many cello concertos Joseph Haydn … Continue reading

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | 7 Comments

The “Henle Library” app – looking back, looking forwards

Our “Henle Library” app has now been available to musicians … Continue reading

Posted in Android, App, Digital, Henle Library, Monday Postings | Tagged , , , | 1 Comment

The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590

Mozart connoisseurs and admirers know of course about what is … Continue reading

Posted in articulation, F-major string quartet K. 590, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , , , | 2 Comments

Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto

As editors we are occasionally confronted with questions that at … Continue reading

Posted in autograph, measure numbering, Monday Postings, piano + orchestra, Piano Concerto op. 22 (Saint-Saëns), Saint-Saëns, Camille | Tagged , , , | Leave a comment

Summer break

Even our composers are known to have taken time off … Continue reading

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Anton Webern: Now also “in blue”!

We are always welcoming new composers to our Henle catalogue. … Continue reading

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment

France sets the tone – new Urtext editions in the “blue jersey”

It isn’t only with the European Football Championship 2016 that … Continue reading

Posted in articulation, Chausson, Ernest, Fauré, Gabriel, horn, Monday Postings, Morceau de Concert op. 94 (Saint-Saëns), piano + horn, Ravel, Maurice, Saint-Saëns, Camille, variant reading | Tagged , , , , | Leave a comment

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?

Today, a brief but we hope all the more valuable … Continue reading

Posted in first edition, Monday Postings, Reger, Max, Three Suites op. 131c for Violoncello solo (Reger), Urtext, violoncello | 2 Comments