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Recent Posts
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
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Category Archives: Monday Postings
La Vega – The fertile plain: Isaac Albeniz’s homage to Granada and the foothills of the Sierra Nevada
A few weeks ago my colleague Peter Jost reported here … Continue reading
Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading
Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext
Tagged Debussy, urtext
1 Comment
Talking Henle Editions: A Carnival Story
The seasons are moving on and the year’s fifth season … Continue reading
Debussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading
Confusion surrounding Chopin’s Scherzi – episodes 2 & 3
In my blog post of 21 March 2016, I lamented … Continue reading
Posted in Chopin, Frédéric, Monday Postings, piano solo, Scherzo op. 31 (Chopin), Scherzo op. 39 (Chopin), Sources
Tagged Chopin, Scherzo, sources
1 Comment
What “der Weihnachtsmann” has in common with “Twinkle, Twinkle, Little Star”
Lights sparkle, candles glow, children’s eyes shine…it’s Christmastime again. Anticipation … Continue reading
Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview
Editing a Beethoven work solely on the basis of a … Continue reading
Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext
Tagged Beethoven, Piano Sonatas, sources
1 Comment
The many footnotes of Rosamunde
All good things come in threes – this is also … Continue reading