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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Performers
D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
2 Comments
Corelli, La Folia and Rachmaninoff’s Variations, Op. 42
In May and June 1931 Sergei Rachmaninoff composed his famous … Continue reading
Christmas Blog
Dear Reader, we most warmly thank you today for your … Continue reading
Posted in Bach, Johann Sebastian, chorus + orchestra, General, Nikolaus Harnoncourt
Tagged Bach, Christmas, Christmas Oratorio
1 Comment
‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Hoffmeister
1 Comment
Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2
Sometimes a conundrum can’t be solved, even when the source … Continue reading
Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert
Schubert did not live to see the publication of his … Continue reading
Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825
A short time ago our attention was drawn to a … Continue reading
‘Come sopra’ – clearly ambiguous!
The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading
Gratis, but not for nothing – the download of the Lalo cello concerto
Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading