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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Sources
The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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A difficult case: Chopin’s b-minor sonata op. 58 in Urtext
Frédéric Chopin’s final piano sonata op. 58 is full of … Continue reading
Posted in Chopin, Frédéric, first edition, Monday Postings, piano solo, versions
Tagged Chopin, piano sonata, versions
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“Gabriellas sång” by Brahms?
Whilst preparing for a lecture on the Johannes Brahms piano … Continue reading
Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
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Labyrinthine paths: in search of Janáček’s Urtext
No, the title is not a typo. The recently published … Continue reading
Posted in autograph, Janácek, Leos, Monday Postings, piano solo, proof copy, revision
Tagged Janáček, On an Overgrown Path, revision
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