Category Archives: accent

An unaccountable (?) fermata notation in Mozart’s string quartet K. 428

Posted on January 7, 2019 by Wolf-Dieter Seiffert

That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading →

Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , | 8 Comments

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?

Posted on November 9, 2015 by Peter Jost

Antonín Dvořák, director of the National Conservatory of Music in … Continue reading →

Posted in accent, articulation, autograph, Dvořák, Antonín, first edition, G. Henle Publishers, Monday Postings, notation, Pražák Quartett, string quartet, String Quartet F major op. 96 (American Quartet) (Dvořák) | Tagged , , , , | 2 Comments

The accent question in Schubert: An old theme with new variations

Posted on April 28, 2014 by Peter Jost

Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading →

Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz | Tagged , , , , , , , , , , , | 2 Comments

Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)

Posted on May 28, 2012 by Wolf-Dieter Seiffert

Tabea Zimmermann, the fabulous violist, writes:

Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz | Tagged , , , | Leave a comment