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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Category Archives: articulation
The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
New editions for the clarinet – Brahms and Gade
The clarinet was again featured in our recent editions of … Continue reading
Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet
Tagged Brahms, clarinet, Gade
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‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions
Are you also one of those manuscript hunters on the … Continue reading
The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590
Mozart connoisseurs and admirers know of course about what is … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
The Trill of Doom – The pianist András Schiff’s revelatory study of Schubert’s final sonata
By guest author Alex Ross[1] “What other work is so … Continue reading
Confusion about ties in Chopin’s Scherzo in b minor
That Chopin variants can be exasperating to an editor – … Continue reading
The “parallel passage” – handle with care…
If the ideal goal of a critical Urtext edition may … Continue reading
Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading
Tagged Grieg, Peer Gynt suite, variants
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