Category Archives: variant reading

Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825

A short time ago our attention was drawn to a … Continue reading

Posted in András Schiff, Bach, Johann Sebastian, Claudio Arrau, Monday Postings, Partita BWV 825 (J.S. Bach), piano solo, variant reading | Tagged , | Leave a comment

‘Come sopra’ – clearly ambiguous!

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Gratis, but not for nothing – the download of the Lalo cello concerto

Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading

Posted in G. Henle Publishers, Heinrich Schiff, Lalo, Édouard, Monday Postings, piano + violoncello, variant reading, Violoncello Concerto (Lalo) | Tagged , , , , , , | 2 Comments

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

What you can see here is the last page of … Continue reading

Posted in autograph, Fantasy op. 17 (Schumann), Monday Postings, piano solo, Schumann, Robert, variant reading | Tagged , , | 7 Comments

‘Fontana’s version’ – genuine Chopin?

A glance at the table of contents in our Urtext … Continue reading

Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin) | Tagged , , | 9 Comments

Hit and miss? – A purportedly wrong note in Beethoven’s Sonata op. 14 no. 2

For almost ten years now I’ve been working with Murray … Continue reading

Posted in Beethoven, Ludwig van, first edition, Monday Postings, piano solo, Piano Sonata op. 14 nr. 2 (Beethoven), variant reading | Tagged , , | 4 Comments

How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457

Very vividly I recall the Mozart sensation of the year … Continue reading

Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading | Tagged , , , | 4 Comments

Missing bass octave in Debussy’s Prélude “Ce qu’a vu le vent d’ouest”?

Whether the Pope is infallible is anybody’s guess, but composers … Continue reading

Posted in autograph, Debussy, Claude, first edition, Monday Postings, piano solo, Préludes (Debussy), reprint, variant reading | Tagged , , | 1 Comment