Tag Archives: Schumann

Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

Posted on May 27, 2019 by Dominik Rahmer

We report as a rule in our blog posts on … Continue reading →

Posted in Fantasy Pieces op. 73 (Schumann), piano + clarinet, Schumann, Robert, variant reading | Tagged , , | 5 Comments

Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25

Posted on February 18, 2019 by Annette Oppermann

Considering that specifically for 19th-century works the first edition is … Continue reading →

Posted in Monday Postings, Schumann, Robert | Tagged , , | 2 Comments

“At the Piano” – lends colour to the Henle catalogue!

Posted on April 24, 2017 by Dominik Rahmer

Even the visual design is a little revolution for Henle: … Continue reading →

Posted in Monday Postings | Tagged , , , , , , , , , , , , , | 4 Comments

Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann

Posted on December 12, 2016 by Wolf-Dieter Seiffert

A little birthday gift for András Schiff (December 2016) Coloured … Continue reading →

Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert | Tagged , , | Leave a comment

Urtext and Urcontext

Posted on September 14, 2015 by Annette Oppermann

In our blog we have certainly already discussed the Urtext … Continue reading →

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | 1 Comment

Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Posted on July 7, 2014 by Peter Jost

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading →

Posted in autograph, first edition, Monday Postings, Schumann, Robert, string quartet, String Quartet op. 41 Nr. 2 (Schumann), variant reading | Tagged , , , , , , , , , | Leave a comment

Why facsimiles, actually?

Posted on December 9, 2013 by Annette Oppermann

The blue Urtext editions certainly amount to the lion’s share … Continue reading →

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

Posted on October 28, 2013 by Dominik Rahmer

For pianists and string players, especially, the name Henle stands … Continue reading →

Posted in autograph, Concert Piece op. 86 (Schumann), first edition, G. Henle Publishers, horn, Monday Postings, notation, Schumann, Robert | Tagged , , , , , , | Leave a comment

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Posted on September 2, 2013 by Norbert Gertsch

Sometimes a conundrum can’t be solved, even when the source … Continue reading →

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Posted on May 27, 2013 by Peter Jost

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading →

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment