Author Archives: Annette Oppermann

“Adelaide” – a song goes round the world

Posted on July 8, 2013 by Annette Oppermann

The German art song does indeed famously enjoy great popularity, … Continue reading →

Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice | Tagged , , , | 1 Comment

Totally, seriously – clearing it out is part of it!

Posted on April 29, 2013 by Annette Oppermann

Any of you who not only had a hearty laugh … Continue reading →

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged , | Leave a comment

How much verbal text can music tolerate?

Posted on January 7, 2013 by Annette Oppermann

A serious scholarly book publication can be recognized by the … Continue reading →

Posted in Henle Publishers, Monday Postings, Urtext | Tagged , , | 1 Comment

What’s the shelf life of Urtext? Revising at Henle publishers

Posted on October 15, 2012 by Annette Oppermann

When you look carefully at our recent publications you’ll also … Continue reading →

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, Grand Fugue op. 134 (Beethoven), Henle Publishers, Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff

Posted on July 23, 2012 by Annette Oppermann

You know the Lorelei? You know that from the high … Continue reading →

Posted in autograph, first edition, Liederkreis op. 39 (Schumann), Monday Postings, piano + voice, Schumann, Robert | Tagged , , , | Leave a comment

The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition

Posted on April 2, 2012 by Annette Oppermann

It is probably well enough known that in the G. … Continue reading →

Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches | Tagged , , , , , | Leave a comment

So, how much bass do you want? Beethoven’s Sextet Op. 81b

Posted on February 6, 2012 by Annette Oppermann

Wouldn’t you wonder, too, if you saw a sextet on … Continue reading →

Posted in Beethoven, Ludwig van, first edition, Instrumentation, Monday Postings, Sextet op. 81b (Beethoven) | Tagged , , , , | Leave a comment

Beethoven, Für Elise WoO 59 – Do you strike the right note?

Posted on November 30, 2011 by Annette Oppermann

d or e – that is the question … when … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, Monday Postings, Piano Piece WoO 59 Für Elise (Beethoven), piano solo, sketches | Tagged , | 17 Comments