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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Author Archives: Dominik Rahmer
Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
‘Free, but lonely’ – an extraordinary sonata and its new edition
Our new Urtext edition HN 1572 introduced in today’s blog … Continue reading
No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
Perhaps – despite the anniversary year – I’m rather overdoing … Continue reading
Posted in Monday Postings, piano + orchestra, piano solo, Rachmaninoff, Sergei, variant reading
Tagged accidentals, Rachmaninoff
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Happy birthday, Sergei! A fresh look at Rachmaninoff’s Préludes for his 150th birthday
In the Henle blog we have already published several posts … Continue reading
Posted in Monday Postings, piano solo, Rachmaninoff, Sergei, variant reading
Tagged accidentals, Préludes, Rachmaninoff
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From the First to the Second Vienna School: 20th-century string quartets in the Henle catalogue
Henle is dedicating 2022 to a specific genre: under the … Continue reading
A concerto for a “trombone god” – finally, Ferdinand David’s Concertino op. 4 in Henle Urtext
The trombone is an instrument with a venerable though also … Continue reading
Posted in David, Ferdinand, Monday Postings, trombone + orchestra
Tagged Concertino op. 4, trombone
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Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading