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Recent Posts
- Scott Joplin, the “King of Ragtime Writers,” now in Henle Urtext. Interview with Joshua Rifkin
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
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Author Archives: Wolf-Dieter Seiffert
Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17
What you can see here is the last page of … Continue reading
Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457
Very vividly I recall the Mozart sensation of the year … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading
Tagged facsimile, Mozart, piano sonata, variants
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