Category Archives: Composers

A peek through the keyhole – Bartók’s “Allegro barbaro” as forerunner of the complete edition

Posted on April 18, 2016 by Annette Oppermann

With Béla Bartók, we have added a new composer to … Continue reading →

Posted in Allegro barbaro BB 63 (Bartók), autograph, Bartók, Béla, Composers, Monday Postings, piano solo, variant reading | Tagged | Leave a comment

The Trill of Doom – The pianist András Schiff’s revelatory study of Schubert’s final sonata

Posted on April 4, 2016 by publisher

By guest author Alex Ross[1] “What other work is so … Continue reading →

Posted in András Schiff, articulation, Composers, Monday Postings, piano solo, Piano Sonata B-Flat D 960 (Schubert), Schubert, Franz | Leave a comment

Confusion about ties in Chopin’s Scherzo in b minor

Posted on March 21, 2016 by Norbert Müllemann

That Chopin variants can be exasperating to an editor – … Continue reading →

Posted in articulation, Auguste Franchomme, autograph, Chopin, Frédéric, Composers, Ferdinand Hiller, first edition, letter, Monday Postings, piano solo, Scherzo in b minor op. 20 (Chopin) | 1 Comment

Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi

Posted on March 7, 2016 by Peter Jost

Among the just about one hundred compositions that the violin … Continue reading →

Posted in 5. Violin Concerto in a minor op. 37 (Vieuxtemps), autograph, Monday Postings, piano + violin, sketches, Urtext, Vieuxtemps, Henry, violin + orchestra, Ysaÿe, Eugène | Tagged , | Leave a comment

The “parallel passage” – handle with care…

Posted on January 11, 2016 by Dominik Rahmer

If the ideal goal of a critical Urtext edition may … Continue reading →

Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading | Tagged , , | Leave a comment

Christmas Blog

Posted on December 21, 2015 by publisher

Dear Reader, we most warmly thank you for your interest … Continue reading →

Posted in Monday Postings, Saint-Saëns, Camille | Tagged , | Leave a comment

From zero to a hundred in seven years: Beethoven’s wind chamber music at Henle publishers

Posted on December 7, 2015 by Annette Oppermann

The fact that the winds first found their way into … Continue reading →

Posted in Beethoven, Ludwig van, clarinet, Flute Duo WoO 26 (Beethoven), G. Henle Publishers, horn, Marsch WoO 29 (Beethoven), Monday Postings, oboe, Quintet E flat major op. 16 (Beethoven), Sextet op. 81b (Beethoven), Three Duos WoO 27 for Clarinet and Bassoon (Beethoven), Three Equali for four Trombones WoO 30 (Beethoven), Urtext, winds | Tagged , | 1 Comment

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?

Posted on November 9, 2015 by Peter Jost

Antonín Dvořák, director of the National Conservatory of Music in … Continue reading →

Posted in accent, articulation, autograph, Dvořák, Antonín, first edition, G. Henle Publishers, Monday Postings, notation, Pražák Quartett, string quartet, String Quartet F major op. 96 (American Quartet) (Dvořák) | Tagged , , , , | 2 Comments

Further new findings on the autograph of Mozart’s Piano Sonata in A major K. 331

Posted on October 26, 2015 by Wolf-Dieter Seiffert

Regular readers of the Henle blog will recollect: My last … Continue reading →

Posted in autograph, General, Monday Postings, Mozart, Wolfgang Amadeus, notation, piano solo, Piano Sonata K. 331 (W.A. Mozart) | Tagged , , | Leave a comment