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- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
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Category Archives: Instrumentation
Better late than never: Leoš Janáček at Henle publishers
It is always a special moment whenever a new name … Continue reading
Sensational new source: a previously unknown Carnivalssong by Beethoven!
The new series PianoPlus is an ideal entry and re-access … Continue reading
Beethoven’s “Unfinished” (compositions)
Ludwig van Beethoven is one of those composers among the … Continue reading
Scarlatti Sonatas, Volume IV – the ultimate choice
Though Domenico Scarlatti (1685–1757) was indeed born the same year … Continue reading
“You can count on me” – Debussy’s arrangement of “Minstrels” for violin and piano
Arrangements have on occasion already come up for discussion in … Continue reading
“It’s all so wonderful!” On the new edition of Mozart’s string quartets
A few weeks ago I began editorial work on a … Continue reading
Spohr and Crusell join the club – new Urtext editions for clarinet
Musicians have long known that not only pianists and string … Continue reading
The year of the flute – special new editions in the Henle catalogue
For some time past the G. Henle publishing house has … Continue reading
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
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