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Recent Posts
- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
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Category Archives: Instrumentation
Johann Jacob Froberger on his 400th birthday
Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading
Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext
Tagged Froberger, Mensurstrich, modern notation
1 Comment
At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo
Tchaikovsky and the violin – surely everyone first thinks here … Continue reading
Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext
Tagged Tschaikowsky, Violine
1 Comment
Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
7 Comments
The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590
Mozart connoisseurs and admirers know of course about what is … Continue reading
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
Anton Webern: Now also “in blue”!
We are always welcoming new composers to our Henle catalogue. … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?
Today, a brief but we hope all the more valuable … Continue reading