Search
Subscribe2
-
Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Category Archives: piano + violin
A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano
In the year 1821 three distinguished personalities met in Weimar: … Continue reading
D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
2 Comments
‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?
As noted in the Preface to the Henle edition of … Continue reading
Filched Melodies – Sarasate’s ‘Zigeunerweisen’ (Gypsy Airs) under suspicion of plagiarism
The use of folk-music elements in art music has, as … Continue reading
Posted in genesis, Gypsy Airs op. 20 (Saraste), Monday Postings, piano + violin, Saraste, Pablo de
Tagged melody, plagiarism, Sarasate
3 Comments
Attention to small details: Elgar’s notation as expression
Preparing a new edition of a work that has been … Continue reading
A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13
Autograph manuscripts of musical works have an aura all their … Continue reading
Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré)
Tagged autograph, Fauré, Violin Sonata
Leave a comment
How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?
Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading
Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin
Tagged Berceuse, Fauré, harmonics, notation, variants
Leave a comment