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Recent Posts
- Scott Joplin, the “King of Ragtime Writers,” now in Henle Urtext. Interview with Joshua Rifkin
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
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Category Archives: Interview
“The Hammerklavier Sonata opened the door for me” – Interview with Ian Fountain on Beethoven’s piano music
Today we’d like to continue our series of musicians’ views … Continue reading
Posted in Beethoven, Ludwig van, Ian Fountain, Interview, Monday Postings
Tagged Beethoven, Ian Fountain
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Michael Korstick Interview: Beethoven as the fixed star of my musical universe
From time to time during the Beethoven year the team … Continue reading
Posted in Beethoven, Ludwig van, Interview, Michael Korstick, Monday Postings
Tagged Beethoven, Korstick
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Debussy in Urtext – Part 6: Interview with Pascal Rogé
In the final part of our little series we want … Continue reading
Posted in Debussy, Claude, Interview, Pascal Rogé, piano solo
Tagged Debussy, Pascal Rogé
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Gidon Kremer on the occasion of his 70th birthday
As early as September 2015 Dr Wolf-Dieter Seiffert, CEO of … Continue reading
Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi
Among the just about one hundred compositions that the violin … Continue reading
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Interview, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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