Category Archives: Monday Postings

Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”

Posted on September 17, 2018 by Peter Jost

Needless to say, every editor of an Urtext edition wishes … Continue reading →

Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext | Tagged , , | Leave a comment

Summer, sun and holidays!

Posted on July 30, 2018 by publisher

It’s vacation time and so the Henle-Blog is taking a … Continue reading →

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Debussy in Urtext – Part 4: Autograph corrections in chamber-music works

Posted on July 16, 2018 by Peter Jost

It goes without saying that the focus would be on … Continue reading →

Posted in Debussy, Claude, Monday Postings, variant reading | Tagged , | 1 Comment

More or less – Bartók’s well-regulated markings of his piano works

Posted on July 2, 2018 by Annette Oppermann

To continue my last blog with an overview of our … Continue reading →

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | 1 Comment

The première of Sergei Rachmaninoff’s Second Piano Sonata op. 36

Posted on June 18, 2018 by Dominik Rahmer

Moscow, St. Petersburg, Rostov-on-Don, Saratov, Smolensk, Voronezh – what do … Continue reading →

Posted in 2nd piano sonata op. 36 (Rachmaninoff), Monday Postings, piano solo, Rachmaninoff, Sergei | Tagged , , | 3 Comments

The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne

Posted on June 6, 2018 by Wolf-Dieter Seiffert

What a liberating, even redemptive impact that the unexpected major … Continue reading →

Posted in autograph, Chopin, Frédéric, copy, Monday Postings, piano solo | Tagged | 3 Comments

Debussy in Urtext – Part 3: Debussy’s recordings of his piano music

Posted on May 21, 2018 by Peter Jost

Editors of Urtext editions have added a new medium as … Continue reading →

Posted in Debussy, Claude, Monday Postings, recording | Tagged , | 6 Comments

Confusion about Chopin’s Scherzi – episode 4

Posted on May 7, 2018 by Norbert Müllemann

At the beginning of the year I reported on my … Continue reading →

Posted in Chopin, Frédéric, Monday Postings, Scherzo op. 54, Sources, versions | Tagged , | 1 Comment

La Vega – The fertile plain: Isaac Albeniz’s homage to Granada and the foothills of the Sierra Nevada

Posted on April 23, 2018 by Norbert Gertsch

A few weeks ago my colleague Peter Jost reported here … Continue reading →

Posted in Albéniz, Isaac, Monday Postings | Tagged , , | 4 Comments

What?! Is it already Christmas now? New Bartók titles at Henle

Posted on April 9, 2018 by Annette Oppermann

Of course not, Christmas is out of the question only … Continue reading →

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