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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Sources
If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading
An annoying mini-error in Mozart’s Violin Concerto K. 219
Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra
Tagged Mozart, revision, Violin Concerto
4 Comments
Beethoven’s list of corrections – a rare source type
Located now and again amongst the sources for Beethoven’s compositions … Continue reading
“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
4 Comments
An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?
The question posed in the title of my blog post … Continue reading
Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin
Tagged Chanson de matin, Chanson de nuit
1 Comment
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
1 Comment
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading