Category Archives: Sources

Bartók’s String Quartets: from the score to the individual parts

Posted on November 28, 2022 by Annette Oppermann

A quintessential feature of the Henle Urtext editions is the … Continue reading →

Posted in Bartók, Béla, first edition, Monday Postings, string quartet | Tagged , , | 2 Comments

“An expression of his deeply shaken soul” – Felix Mendelssohn Bartholdy’s String Quartet in F minor on the 175th anniversary of his death

Posted on November 14, 2022 by Dominik Rahmer

Our Henle blog this year has largely dealt with two … Continue reading →

Posted in autograph, first edition, Mendelssohn Bartholdy, Felix, Monday Postings, proof copy, revision, string quartet, variant reading | Tagged , | Leave a comment

If that’s not reason enough to celebrate: 300 years of WTC I!

Posted on October 31, 2022 by Annette Oppermann

2022 seems to be particularly rich in musical anniversaries: Even … Continue reading →

Posted in András Schiff, autograph, Bach, Johann Sebastian, Monday Postings, piano solo, Well-Tempered Clavier (J.S. Bach) | Tagged , , | Leave a comment

An annoying mini-error in Mozart’s Violin Concerto K. 219

Posted on October 17, 2022 by Wolf-Dieter Seiffert

Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra | Tagged , , | 4 Comments

Newly discovered 20th-century classics: Bartók’s six String Quartets in the Complete Edition

Posted on September 19, 2022 by Annette Oppermann

The Béla Bartók Complete Critical Edition that since 2017 the … Continue reading →

Posted in autograph, Bartók, Béla, Juilliard Quartet, Monday Postings, recording, string quartet | Tagged , , , | Leave a comment

Beethoven’s list of corrections – a rare source type

Posted on July 4, 2022 by Norbert Gertsch

Located now and again amongst the sources for Beethoven’s compositions … Continue reading →

Posted in Beethoven, Ludwig van, letter, Sources | Tagged , | 2 Comments

“Latest news about Mozart’s piano sonata in A major, K. 331”

Posted on January 31, 2022 by Wolf-Dieter Seiffert

“All good things come in threes” – this phrase came … Continue reading →

Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext | Tagged | 4 Comments

An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?

Posted on November 22, 2021 by Norbert Müllemann

The question posed in the title of my blog post … Continue reading →

Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin | Tagged , | 1 Comment

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Posted on October 25, 2021 by Annette Oppermann

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading →

Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings | Tagged | 1 Comment

“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44

Posted on June 7, 2021 by Dominik Rahmer

Even though recently the focus of attention owing to their … Continue reading →

Posted in autograph, Dvořák, Antonín, first edition, Instrumentation, Monday Postings, Wind Serenade op. 44 (Dvořák) | Tagged , , | 2 Comments