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Recent Posts
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
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Category Archives: Sources
“Gabriellas sång” by Brahms?
Whilst preparing for a lecture on the Johannes Brahms piano … Continue reading
Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
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Labyrinthine paths: in search of Janáček’s Urtext
No, the title is not a typo. The recently published … Continue reading
Posted in autograph, Janácek, Leos, Monday Postings, piano solo, proof copy, revision
Tagged Janáček, On an Overgrown Path, revision
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If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading
An annoying mini-error in Mozart’s Violin Concerto K. 219
Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra
Tagged Mozart, revision, Violin Concerto
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Beethoven’s list of corrections – a rare source type
Located now and again amongst the sources for Beethoven’s compositions … Continue reading