Category Archives: Sources

The new Catalogue of Works of Ludwig van Beethoven

Posted on October 27, 2014 by Norbert Gertsch

On 1 November 2014 G. Henle Verlag is publishing a … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, G. Henle Publishers, Monday Postings, Piano Concerto op. 73 (Beethoven), Piano Trios op. 70 (Beethoven), sketches | Tagged , , , | 1 Comment

The year of the flute – special new editions in the Henle catalogue

Posted on October 13, 2014 by Norbert Müllemann

For some time past the G. Henle publishing house has … Continue reading →

Posted in Bach, Carl Philipp Emanuel, facsimile, flute solo, G. Henle Publishers, Monday Postings, ornamentation, piano + flute, Telemann, Georg Philipp, Urtext | Tagged , , , , , | Leave a comment

Composing made easy? On Erik Satie’s ‘Nocturnes’

Posted on September 29, 2014 by Peter Jost

It was not without good reason that the label ‘outsider’ … Continue reading →

Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading | Tagged , , , | 3 Comments

‘It is G! Bravo, and a thousand thanks.’ Günter Henle’s guestbook (and a wrong note in Beethoven)

Posted on September 15, 2014 by Wolf-Dieter Seiffert

The violinist Yehudi Menuhin was without question amongst Günter Henle’s … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, G. Henle Publishers, Monday Postings, piano + violin, Urtext, variant reading, Violin Sonata op. 96 (Beethoven), Yehudi Menuhin | Tagged , , , | Leave a comment

Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)

Posted on July 21, 2014 by Norbert Müllemann

That Henle is a Mozart publisher should not come as … Continue reading →

Posted in Andreas Staier, autograph, first edition, Flute Rondo (F.X.W. Mozart), G. Henle Publishers, Monday Postings, Mozart, Franz Xaver Wolfgang, piano + flute, piano solo, Urtext | Tagged , , , , , , , , , , , , , , , | 2 Comments

Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Posted on July 7, 2014 by Peter Jost

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading →

Posted in autograph, first edition, Monday Postings, Schumann, Robert, string quartet, String Quartet op. 41 Nr. 2 (Schumann), variant reading | Tagged , , , , , , , , , | Leave a comment

Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”

Posted on June 24, 2014 by Dominik Rahmer

Looking at the topics of the by now more than … Continue reading →

Posted in first edition, genesis, Monday Postings, piano + voice, Rachmaninoff, Sergei, Vocalise op. 34 Nr. 14 (Rachmaninoff) | Tagged , , , , | 10 Comments

A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano

Posted on June 9, 2014 by Wolf-Dieter Seiffert

In the year 1821 three distinguished personalities met in Weimar: … Continue reading →

Posted in autograph, Fantasy K. 396(385f) (W.A. Mozart), Monday Postings, Mozart, Wolfgang Amadeus, Noah Bendix-Balgley, piano + violin, Robert D. Levin | Tagged , , , | Leave a comment

D or C♯? What does Ravel want the violinist to play in “Tzigane”?

Posted on February 3, 2014 by Peter Jost

Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading →

Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading | Tagged , , , , , | 2 Comments

A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass

Posted on January 20, 2014 by Dominik Rahmer

The last blog posting on 6 January has already let … Continue reading →

Posted in autograph, first edition, Monday Postings, piano solo, Prélude in c sharp minor (Rachmaninoff), Rachmaninoff, Sergei, variant reading | Tagged , , , | 14 Comments