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Category Archives: new source
New year, new luck: Welcome Sebastian Lee!
Do you love Lee? This question will likely be answered … Continue reading
Posted in engraver’s copy, first edition, Lee, Sebastian, Monday Postings, new source, reprint, revision, versions, violoncello
Tagged Études, Lee, violoncello
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Arcis meets Alexander – Glazunov’s saxophone quartet finally in a reliable Urtext edition
Some time ago, a young Munich ensemble surprised us with … Continue reading
A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
In spring 2024, a new work by Frédéric Chopin was … Continue reading
Posted in autograph, Chopin, Frédéric, Lang Lang, Monday Postings, new source, piano solo, Urtext
Tagged autograph, Chopin, piano, rediscovery, Waltz
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If we hadn’t had the chance… the rediscovery of a new Prokofiev source
Fans of so-called ‘true crime’ formats, reporting, that is, about … Continue reading
Posted in engraver’s copy, Monday Postings, new source, piano + violin, Prokofiev, Sergei
Tagged arrangement, engraver's copy, version
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
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‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
What’s new with Liszt’s b-minor sonata
With barely concealed exasperation Clara Schumann writes on 25 … Continue reading