Search
Subscribe2
-
Recent Posts
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak dynamics Fauré fingering first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Tag Archives: Chopin
A difficult case: Chopin’s b-minor sonata op. 58 in Urtext
Frédéric Chopin’s final piano sonata op. 58 is full of … Continue reading
Posted in Chopin, Frédéric, first edition, Monday Postings, piano solo, versions
Tagged Chopin, piano sonata, versions
Leave a comment
Confusion about Chopin’s Scherzi – episode 4
At the beginning of the year I reported on my … Continue reading
Posted in Chopin, Frédéric, Monday Postings, Scherzo op. 54, Sources, versions
Tagged Chopin, Scherzo
1 Comment
Confusion surrounding Chopin’s Scherzi – episodes 2 & 3
In my blog post of 21 March 2016, I lamented … Continue reading
Posted in Chopin, Frédéric, Monday Postings, piano solo, Scherzo op. 31 (Chopin), Scherzo op. 39 (Chopin), Sources
Tagged Chopin, Scherzo, sources
1 Comment
“At the Piano” – lends colour to the Henle catalogue!
Even the visual design is a little revolution for Henle: … Continue reading
Posted in Monday Postings
Tagged At the Piano, Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Haydn, Liszt, Mendelssohn, Mozart, piano, Schubert, Schumann
4 Comments
About the difficulties of notating ornamentation – The riddle of a neighbouring trill tone in Chopin’s Berceuse
The topic “ornamentation” in music is truly endless. We have … Continue reading
Posted in Bach, Johann Sebastian, Berceuse op. 57 (Chopin), Chopin, Frédéric, General, Monday Postings, notation, ornamentation, piano solo
Tagged Bach, Chopin, Ornamentation, Telemann
8 Comments
Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
Leave a comment
Gratis, but not for nothing – the download of the Lalo cello concerto
Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading
What’s the shelf life of Urtext? Revising at Henle publishers
When you look carefully at our recent publications you’ll also … Continue reading
Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext
Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann
Leave a comment
‘Fontana’s version’ – genuine Chopin?
A glance at the table of contents in our Urtext … Continue reading
Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin)
Tagged Chopin, Fontana, versions
9 Comments
Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”
In summer 1915 in the solitude of Pourville, the small … Continue reading
Posted in Debussy, Claude, Douze Études (Debussy), Monday Postings, piano solo, Urtext
Tagged Chopin, Couperin, Debussy, Études, fingering, piano, Rameau
2 Comments