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- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Tag Archives: Liszt
The Unexpected, showing up often! Discoveries in Liszt’s revisions
The chances of sources being rediscovered or becoming newly accessible … Continue reading
“At the Piano” – lends colour to the Henle catalogue!
Even the visual design is a little revolution for Henle: … Continue reading
Posted in Monday Postings
Tagged At the Piano, Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Haydn, Liszt, Mendelssohn, Mozart, piano, Schubert, Schumann
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“I would like to see this piece published soon” – The first edition of Liszt’s arrangement of Wagner’s overture to “Tannhäuser”
The 19th century is rich in artist friendships. That between … Continue reading
What’s new with Liszt’s b-minor sonata
With barely concealed exasperation Clara Schumann writes on 25 … Continue reading
‘Servant of two masters’ – when the editor is caught between two composers
The basic idea behind an Urtext edition is well known; … Continue reading
Listeners are also only human
Observations on the necessity of body language in piano playing … Continue reading
Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge
Tagged Beethoven, body language, Hungarian Rhapsody, interpretation, Liszt, piano, piano player, piano sonata
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Corelli, La Folia and Rachmaninoff’s Variations, Op. 42
In May and June 1931 Sergei Rachmaninoff composed his famous … Continue reading
Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner
Some time ago we had previously devoted a blog post … Continue reading
Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?
The current Wagner year is also not going unnoticed at … Continue reading