Author Archives: Annette Oppermann

From zero to a hundred in seven years: Beethoven’s wind chamber music at Henle publishers

Posted on December 7, 2015 by Annette Oppermann

The fact that the winds first found their way into … Continue reading →

Posted in Beethoven, Ludwig van, clarinet, Flute Duo WoO 26 (Beethoven), G. Henle Publishers, horn, Marsch WoO 29 (Beethoven), Monday Postings, oboe, Quintet E flat major op. 16 (Beethoven), Sextet op. 81b (Beethoven), Three Duos WoO 27 for Clarinet and Bassoon (Beethoven), Three Equali for four Trombones WoO 30 (Beethoven), Urtext, winds | Tagged , | 1 Comment

Urtext and Urcontext

Posted on September 14, 2015 by Annette Oppermann

In our blog we have certainly already discussed the Urtext … Continue reading →

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | 1 Comment

Does it work or doesn’t it? About page turns in the music

Posted on June 8, 2015 by Annette Oppermann

Haven’t you, too, sometimes wondered in a concert why the … Continue reading →

Posted in Bach, Johann Sebastian, Monday Postings, Reger, Max, Schubert, Franz | Tagged , | 2 Comments

Better late than never: Leoš Janáček at Henle publishers

Posted on March 2, 2015 by Annette Oppermann

It is always a special moment whenever a new name … Continue reading →

Posted in autograph, copy, first edition, G. Henle Publishers, Janácek, Leos, Mládí (Janácek), Monday Postings, winds | Tagged , , , | Leave a comment

Read the end first!

Posted on November 10, 2014 by Annette Oppermann

Come on now, fess up! Haven’t you sometimes thumbed through … Continue reading →

Posted in Beethoven, Ludwig van, G. Henle Publishers, Monday Postings | Tagged , , , | Leave a comment

The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”

Posted on March 17, 2014 by Annette Oppermann

The double bass entered the Henle publishers’ catalogue a few … Continue reading →

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , , , , , , , , | Leave a comment

Why facsimiles, actually?

Posted on December 9, 2013 by Annette Oppermann

The blue Urtext editions certainly amount to the lion’s share … Continue reading →

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

High time for the low register – the double bass conquers the Henle catalogue

Posted on September 16, 2013 by Annette Oppermann

The strings, together with the main instrument, piano, have all … Continue reading →

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , | 1 Comment

“Adelaide” – a song goes round the world

Posted on July 8, 2013 by Annette Oppermann

The German art song does indeed famously enjoy great popularity, … Continue reading →

Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice | Tagged , , , | 1 Comment

Totally, seriously – clearing it out is part of it!

Posted on April 29, 2013 by Annette Oppermann

Any of you who not only had a hearty laugh … Continue reading →

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged , | Leave a comment