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- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
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Category Archives: Composers
Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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HN 555 – A printing error in CPE Bach’s sonata for solo flute?
These days our latest Urtext product comes from the printer, … Continue reading
‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86
For pianists and string players, especially, the name Henle stands … Continue reading
Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?
As noted in the Preface to the Henle edition of … Continue reading
A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452
The autograph of Mozart’s piano quintet for piano and four … Continue reading
High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Hoffmeister
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Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2
Sometimes a conundrum can’t be solved, even when the source … Continue reading
Filched Melodies – Sarasate’s ‘Zigeunerweisen’ (Gypsy Airs) under suspicion of plagiarism
The use of folk-music elements in art music has, as … Continue reading
Posted in genesis, Gypsy Airs op. 20 (Saraste), Monday Postings, piano + violin, Saraste, Pablo de
Tagged melody, plagiarism, Sarasate
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“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner
Some time ago we had previously devoted a blog post … Continue reading