Category Archives: Monday Postings

Summer rest

Posted on August 3, 2015 by publisher

We’re getting ready to travel and of course our Urtext-editions … Continue reading →

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Who does the pedalling? On the use of the pedal in music for piano duets

Posted on July 20, 2015 by Norbert Müllemann

Nowadays we automatically associate music for piano duet with the … Continue reading →

Posted in autograph, first edition, Monday Postings, notation | Tagged , , , | 7 Comments

“Please don’t play it as it’s written in the music!” – Urtext and playability

Posted on July 6, 2015 by Peter Jost

A music-lesson scene that we all recall most reluctantly: A … Continue reading →

Posted in Mahler, Gustav, Monday Postings, notation, Piano quartet (Mahler), Urtext | Tagged , , | Leave a comment

Tristan at Troldhaugen – interesting finds in Grieg’s “Lyric Pieces”

Posted on June 22, 2015 by Dominik Rahmer

Among the most popular and successful of Edvard Grieg’s compositions … Continue reading →

Posted in autograph, Grieg, Edvard, Lyric Pieces (Grieg), Monday Postings, piano solo, sketches, variant reading | Tagged , , , | 5 Comments

Does it work or doesn’t it? About page turns in the music

Posted on June 8, 2015 by Annette Oppermann

Haven’t you, too, sometimes wondered in a concert why the … Continue reading →

Posted in Bach, Johann Sebastian, Monday Postings, Reger, Max, Schubert, Franz | Tagged , | 2 Comments

The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331

Posted on May 25, 2015 by Wolf-Dieter Seiffert

You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), revision, Urtext | Tagged , , | 8 Comments

Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas

Posted on May 11, 2015 by Norbert Gertsch

Here’s a topic that pianists have been discussing since the … Continue reading →

Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range | Tagged , , , | 21 Comments

About the difficulties of notating ornamentation – The riddle of a neighbouring trill tone in Chopin’s Berceuse

Posted on April 27, 2015 by Norbert Müllemann

The topic “ornamentation” in music is truly endless. We have … Continue reading →

Posted in Bach, Johann Sebastian, Berceuse op. 57 (Chopin), Chopin, Frédéric, General, Monday Postings, notation, ornamentation, piano solo | Tagged , , , | 8 Comments

An amusing story and a serious problem – On Mendelssohn’s first concert piece for clarinet, basset horn and piano

Posted on April 13, 2015 by Peter Jost

For composers, commissions or dedications of works could pay off, … Continue reading →

Posted in autograph, Concert Piece op. 113 (Mendelssohn Bartholdy), first edition, genesis, Mendelssohn Bartholdy, Felix, Monday Postings, piano + clarinet + basset horn, variant reading | Tagged , , | Leave a comment

On a terribly wrong dynamic marking in the first movement of K. 499

Posted on March 30, 2015 by Wolf-Dieter Seiffert

In my last blog posting I reported on my current, … Continue reading →

Posted in autograph, dynamics, first edition, Hagen-Quartet, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K. 499 (W.A. Mozart) | Tagged , , | Leave a comment