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- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
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Category Archives: autograph
Going down, coming up or on the up and up? – stumbling block in Erik Satie’s ‘2ème Gymnopédie’
At first sight Urtext editions of Satie’s piano music do … Continue reading
Posted in autograph, first edition, Gymnopédie (Satie), Monday Postings, piano solo, Satie, Erik, Urtext
Tagged correction, Gymnopédie, Satie
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On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I
Those in the know among our readers will be aware … Continue reading
How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457
Very vividly I recall the Mozart sensation of the year … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading
Tagged facsimile, Mozart, piano sonata, variants
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Missing bass octave in Debussy’s Prélude “Ce qu’a vu le vent d’ouest”?
Whether the Pope is infallible is anybody’s guess, but composers … Continue reading
Posted in autograph, Debussy, Claude, first edition, Monday Postings, piano solo, Préludes (Debussy), reprint, variant reading
Tagged Debussy, Préludes, variants
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How does Chopin’s Second Ballade end?
Many pianists are familiar with the problem that there are … Continue reading
Posted in autograph, Ballades (Chopin), Chopin, Frédéric, first edition, Monday Postings, piano solo, versions
Tagged Ballade, Chopin, versions
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Beethoven, Für Elise WoO 59 – Do you strike the right note?
d or e – that is the question … when … Continue reading