Category Archives: revision

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged dynamics, inscriptions, Liszt, notation, source | Leave a comment

The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331

Posted on May 25, 2015 by Wolf-Dieter Seiffert

You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), revision, Urtext | Tagged Mozart, piano sonata, turkish march | 8 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

Posted on October 15, 2012 by Annette Oppermann

When you look carefully at our recent publications you’ll also … Continue reading →

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, Grand Fugue op. 134 (Beethoven), Henle Publishers, Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann | Leave a comment

Too much access! – Isaac Albéniz revises his Iberia cycle

Posted on October 1, 2012 by Norbert Gertsch

Editors of sheet music are not alone in suffering from … Continue reading →

Posted in Albéniz, Isaac, autograph, first edition, Iberia (Albéniz), Monday Postings, piano solo, reprint, revision | Tagged Albéniz, first edition, Iberia, reprint, revision | 5 Comments

How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457

Posted on March 5, 2012 by Wolf-Dieter Seiffert

Very vividly I recall the Mozart sensation of the year … Continue reading →

Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading | Tagged facsimile, Mozart, piano sonata, variants | 6 Comments