Category Archives: piano solo

A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass

Posted on January 20, 2014 by Dominik Rahmer

The last blog posting on 6 January has already let … Continue reading →

Posted in autograph, first edition, Monday Postings, piano solo, Prélude in c sharp minor (Rachmaninoff), Rachmaninoff, Sergei, variant reading | Tagged , , , | 14 Comments

Corelli, La Folia and Rachmaninoff’s Variations, Op. 42

Posted on January 6, 2014 by Norbert Gertsch

In May and June 1931 Sergei Rachmaninoff composed his famous … Continue reading →

Posted in Corelli Variations op. 42 (Rachmaninoff), Corelli, Arcangelo, Monday Postings, piano solo, Rachmaninoff, Sergei, Vladimir Ashkenazy | Tagged , , , , , , | 3 Comments

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Posted on September 2, 2013 by Norbert Gertsch

Sometimes a conundrum can’t be solved, even when the source … Continue reading →

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner

Posted on August 5, 2013 by Dominik Rahmer

Some time ago we had previously devoted a blog post … Continue reading →

Posted in autograph, first edition, Isoldens Liebestod from "Tristan und Isolde" (Wagner/Liszt), Liszt, Franz, Monday Postings, notation, piano solo, transcription, Wagner, Richard | Tagged , , , , , | 2 Comments

Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert

Posted on July 22, 2013 by Wolf-Dieter Seiffert

Schubert did not live to see the publication of his … Continue reading →

Posted in Andreas Staier, autograph, Brahms, Johannes, first edition, Impromptus D 946 (Schubert), Monday Postings, piano solo, Schubert, Franz, Sviatoslav Richter | Tagged , , , , , , | 15 Comments

“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?

Posted on June 24, 2013 by Norbert Müllemann

Many piano students are not going to believe their eyes … Continue reading →

Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander | Tagged , , , , | 3 Comments

Climax, more or less – e flat or e in Islamey?

Posted on June 10, 2013 by Norbert Gertsch

Mily Balakirev’s showpiece Islamey, already certified, so to speak, as … Continue reading →

Posted in autograph, Balakirev, Milij, first edition, Islamey (Balakirev), Monday Postings, piano solo, variant reading | Tagged , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Posted on May 27, 2013 by Peter Jost

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading →

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment

Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825

Posted on May 13, 2013 by Wolf-Dieter Seiffert

A short time ago our attention was drawn to a … Continue reading →

Posted in András Schiff, Bach, Johann Sebastian, Claudio Arrau, Monday Postings, Partita BWV 825 (J.S. Bach), piano solo, variant reading | Tagged , | Leave a comment

Attention to small details: Elgar’s notation as expression

Posted on April 15, 2013 by guest

Preparing a new edition of a work that has been … Continue reading →

Posted in autograph, Elgar, Edward, Monday Postings, notation, piano + violin, piano + violoncello, piano solo, Salut d'amour op. 12 (Elgar) | Tagged , | Leave a comment