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Recent Posts
- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Category Archives: G. Henle Publishers
Spring Cleaning – new setup guidelines at the Henle house
You ought to underline today’s date in the calendar in … Continue reading
Posted in G. Henle Publishers, Monday Postings, notation, Reger, Max, Violin
Tagged notation, parts, Reger
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Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?
The current Wagner year is also not going unnoticed at … Continue reading
Gratis, but not for nothing – the download of the Lalo cello concerto
Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading
High quality sheet music. What makes a music edition good?
A carnival week blog contribution: (1) You can tell a … Continue reading
Posted in G. Henle Publishers, General
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Composers on the waiting list – or: We’d really like to do them, but are (still) not allowed to do so
‘Why doesn’t Henle have the famous piano trio by Shostakovich?’ … Continue reading
Posted in G. Henle Publishers, Monday Postings, Urtext
Tagged copyright, Prokofiev, Shostakovich
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What’s the shelf life of Urtext? Revising at Henle publishers
When you look carefully at our recent publications you’ll also … Continue reading
Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext
Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann
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How much verbal text can music tolerate?
A serious scholarly book publication can be recognized by the … Continue reading →