Many readers (and pianists!) will already have noticed that we are gradually revising our Urtext editions of the Johann Sebastian Bach piano works. Valid here, too, as with all the editorial department’s more recent revisions, is that the original Urtext available up to now is by no means either wrong or bad. The music text is revised only if research on the respective composer has brought to light new knowledge (for example, if new sources have emerged) or if the edition’s commentary needs updating to the latest scholarly state. A few years ago my colleague Annette Oppermann posted on the blog on the subject of “Revision”, to which I would implicitly like to refer. Continue reading
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Recent Posts
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
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Beethoven Year 2020 is coming to an end, and there is no doubt about it: We had certainly imagined it as otherwise…. The COVID-19 pandemic has nixed most of the worldwide celebrations, concerts, congresses and other events devoted to Beethoven. The motto “Seid umschlungen, Millionen” [Be embraced, millions] is disallowed owing to social-distancing, and kissing the entire world is not to be shared at the moment, either. 



