Even though recently the focus of attention owing to their anniversaries has been on composers like Debussy, Beethoven or currently Saint-Saëns, Antonín Dvořák seems to me to be the secret luminary in the Henle programme. Since 2015, no fewer than eleven new Urtext editions of his works have been published by our publishing house, amongst them, many large and central works of his oeuvre such as the late String Quartets opp. 96, 105 und 106, the Piano Quintet op. 81, the Piano Trio op. 65 and the Humoresques for piano op. 101. Our new edition of the Wind Serenade in d minor op. 44 (HN 1234/HN 7234) will be appearing in the next few days, completing the dozen. And so, of course, it goes on: already in progress for this autumn are Dvořák’s “Slavonic” String Quartet in E-flat major op. 51 and – a special highlight – his legendary Cello Concerto. Continue reading
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The piano quintet is, so to speak, in the “super heavyweight class” amongst chamber-music ensembles: the piano’s powerful sonority encounters an equal partner in the string quartet itself, already constituting an independent ensemble in its own right. This combination offers a wide palette of timbres that allows an enormous dynamic range, progressing from intimate duets to nearly symphonic scope. 

