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- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
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Tag Archives: Beethoven
The new Catalogue of Works of Ludwig van Beethoven
On 1 November 2014 G. Henle Verlag is publishing a … Continue reading
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
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Listeners are also only human
Observations on the necessity of body language in piano playing … Continue reading
Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge
Tagged Beethoven, body language, Hungarian Rhapsody, interpretation, Liszt, piano, piano player, piano sonata
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Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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“Adelaide” – a song goes round the world
The German art song does indeed famously enjoy great popularity, … Continue reading
Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice
Tagged Adelaide, Beethoven, song, translation
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‘Come sopra’ – clearly ambiguous!
The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading
Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?
Notice: There’s a prize question at the end of this … Continue reading
Posted in Monday Postings, notation, piano trio
Tagged Beethoven, Haydn, Mozart, parts, Piano Trio, score
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What’s the shelf life of Urtext? Revising at Henle publishers
When you look carefully at our recent publications you’ll also … Continue reading
Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext
Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann
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Hit and miss? – A purportedly wrong note in Beethoven’s Sonata op. 14 no. 2
For almost ten years now I’ve been working with Murray … Continue reading