Search
Subscribe2
-
Recent Posts
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak facsimile Fauré fingering first edition genesis Haydn Hoffmeister horn Liszt Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola violin Violin Sonata
Category Archives: Subject
Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
1 Comment
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
1 Comment
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2
Franz Schubert‘s piano music is almost an infinitely magical wonderland. … Continue reading
Posted in harmonics, piano solo, Schubert, Franz, variant reading
Tagged A-flat-major Impromptu D 935, trill
3 Comments
Bach-Busoni – a successful Henle series with sequels
Another Bach-Busoni edition recently came on the music market as … Continue reading
Posted in arrangement, Bach, Johann Sebastian, Busoni, Ferruccio, Toccata D minor BWV 565
Tagged Bach, Busoni
1 Comment
How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
“My fingering may inspire to play in the right style” – Interview with Pascal Rogé
To celebrate the French pianist Pascal Rogé’s 70th birthday on … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading